Our editors come from fiction. A commercial gets the same treatment as a scene: structure before style, selects argued in writing, performance and timing carried across the cut. Grab holds sixty seconds on comedy timing; the beauty and product films hold because every cut is built like a scene.

You brief in English or French, and one person answers you from the first message to delivery. Comments land on Frame.io, timecoded, and each one gets a written answer: what was applied, what we pushed back on, and why.

Every master ships with the editable timeline, Premiere or Resolve, matching your project structure and naming. Nothing stays locked in our building. NDA before rushes move, watermarked previews, access limited storage.

One editor never carries more than two projects at once. That is what keeps a first cut worth watching.

Saigon runs ahead of Paris and far ahead of New York. European clients send comments in their morning and see them handled the same day. American clients send rushes at the end of their day and find a cut underway by breakfast.

Since April 2025 a Paris production company has run 5 to 15 deliverables a month through this pipeline: commercials, music videos, social cutdowns.