New Yorker
00:44Fashion, summer campaign
Briefed at 6pm.
Cut by morning.
Hoang Post is an editing and colour studio in Saigon, built for production companies and agencies in Europe and North America. You keep the client and the credit. We keep the deadline.
Post direction in English and French.
We cut fiction first.
That's why our commercials tell stories.
Story discipline, applied to commercials. The proof is on this page: Grab holds sixty seconds on comedy timing, The Paper is straight fiction, and the beauty and product films hold because every cut is built like a scene, not a slideshow.
Every case with its context.
What we did, how many versions, how fast. The films below are our own post production work. Click to play with sound.
The Paper
02:08Fiction, main film
Grab
01:00Ride hailing, brand campaign
Honda
00:33Automotive, main film
7UP
00:15Beverage, festive campaign
MAGGI
00:15Food, product film
Exact versions, timing and deliverable counts for each case are shared on request. Every brand shown remains the property of its owner.
Three departments, one address.
Edit.
Narrative editing by a senior editor: dialogue scenes, performance, comedy timing. Selects argued in writing, structure before style, and the editable timeline delivered with every master.
Editing: Timo.
Colour.
Grading and finishing under the post supervisor, a colorist with a film emulation culture: density first, then contrast, then color. The same eye follows your project from brief to master.
Post supervision and grade: Hoang.
Sound Design.
Sound design and mix under the same roof: dialogue cleanup, foley and texture, music balance, loudness to spec for every platform. The cut and the sound are finished by the same team.
Sound design: Luu.
No invented names, no stock faces. The people credited on this site are the people on your project.
Film emulation, not a preset.
Our grading comes out of a film culture: density first, then contrast, then color. We build a look for the project and hold it across every deliverable. You get the graded master, the still references, and the node tree if you want it.
New YorkerDrag to compare
Every graded frame here is a master we delivered. New Yorker was shot ARRIRAW, The Paper in S-Log3, both shown next to their own camera original.
What we take on.
- TVC, 30 to 120 seconds
- Music videos
- Brand films and social cutdown packs
- Short films, fiction and brand's long form
- Grade only, per film
No public grid of promises: every quote carries its delivery date, in writing, and we hold it.
The time difference works in both directions. Paris: comments sent in your morning are handled the same day. New York: send rushes at the end of your day, we cut while you sleep, and a cut is underway by your breakfast.
Paris
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Saigon
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One client tells it best.
It started with one test edit, in April 2025: rushes sent from Paris at 6pm, we started a cut the next day before noon.
They sent a second project the same week. Today we are behind 5 to 15 deliverables a month for this Paris production company: music videos, commercials, social cutdowns.
Their producers close their day with a brief. Our editors open theirs with the rushes. Comments sent in the Paris morning are handled the same day. They keep the client and the credit. We keep the deadline.
Two dates, two companies
- 2023
Hoang Films opens in Saigon: the production house, shooting commercials and music videos in Vietnam.
- April 2025
Hoang Post begins: the post production arm, born from one test edit for a Paris production company.
- 5 to 15
Deliverables a month for that same client today.
Campaigns cut and graded for
Campaigns edited or graded at Hoang Post, through the production companies and agencies we work with. Each brand remains the property of its owner.
Three ways to work with us.
The 72h Test Edit
Start hereSend one real project. Rushes, brief, references. We come straight back with a firm quote and a delivery date, within 24 working hours. Say yes and you get a first cut in 72 hours, on Frame.io, with the editable timeline, at 60 percent of our normal rate. If it is not right for you, it ends there.
- One real project, not a showreel exercise
- First cut in 72 hours from receipt of rushes
- Editable timeline for Premiere or Resolve
- If the cut does not convince you, the timeline stays yours
Per project
One film, one quote, agreed before we start. Commercial edit plus grade, music video edit, social cutdown packs, or grading alone, per finished minute.
The Dedicated Editor
A senior editor inside your pipeline, on a monthly commitment, never carrying more than two projects at once. Your project structure, your naming, your delivery specs. Post direction included.
No public prices. Every quote is written for the project, with its delivery date, before we start.
How a project runs.
- 01
Brief and rushes
Frame.io, or a secure transfer of your choice. We confirm what we received and what we understood, in writing, within your working day.
- 02
Post direction in your language
English or French, written and on calls. One person answers you, from the first message to delivery.
- 03
Versioned cuts
Every cut lands on Frame.io, numbered, watermarked, with timecoded comments. You get an update every day the project is open.
- 04
Delivery
Graded master in your specs, plus the editable timeline and the source project. Premiere or Resolve. You own the files.
Security
- Never more than two simultaneous projects per editor.
- NDA on every project, signed before rushes move.
- Secure storage, access limited to the people on your project.
- Watermarked previews for every review link.
- Rushes never leave the pipeline and are wiped on request.
What producers ask first.
How do revisions work?
Comments on Frame.io, timecoded. We answer each one in writing so you know what was applied and what we pushed back on. Two rounds are included on a project edit, more if the scope says so.
Who owns the files and the projects?
You do. You get the graded master, the editable timeline and the source project. Nothing stays locked in our building.
How do calls work with the time difference?
From Europe, your morning is our afternoon: a call before noon Paris time is easy for both of us, and comments sent in your morning are handled the same day. From the US, our day covers your night: send at the end of your day, find work moved by your morning, and we keep a call window in your morning, our late evening.
What software do you use?
Premiere and DaVinci Resolve, with Frame.io for review. We deliver in whichever of the two your team works in, and we match your project structure and naming.
How is quality controlled?
Every cut is reviewed by the post supervisor before it reaches you: sync, framing, audio levels, grade consistency, delivery specs. Nothing goes out on a monitor we have not calibrated.
How do we start?
With one real project on the 72h Test Edit. Send rushes and a brief today, open a first cut in three days, and decide from there.
Send us a project.
One real brief tells us more than a call. We answer within 24 working hours, with a firm quote and a written delivery date.
Ask for Hoang.
Email: [email protected]
Answer within 24 working hours.